Clip studio paint как рисовать мангу
Whatever the medium, characters provide a focal point for your audience to relate to. From fanart to games, comics and cartoons, dynamic characters bring visual interest and emotional hooks to your work.
Clip Studio Paint’s pen and brush drawing tools make it easy and natural to bring your characters to life, and 3D figures provide fully poseable reference points to work from directly on your canvas.
“There are a ton of brushes available that can be customized a lot. The lines are the most similar to traditional inking that I could find in any software.”
- Lolita Aldea (Comic Artist)
Designed for drawing
We created Clip Studio Paint with artists in mind. Traditional artists and digital art natives alike will love the natural drawing feel of our proprietary brush engine.
Perfect lines every time
Clip Studio Paint's sophisticated brush engine recognizes 8192 levels of pen pressure. Put digital pen to digital paper and draw exactly how you want - every line, every detail.
Let the stabilizer feature automatically correct minor wiggles or mistakes in lines, adjust the pen pressure sensitivity to your liking, or use vector layers for greater control of your lines.
3D models and AI posing
Draw right over endlessly poseable 3D figures, or let the AI replicate a pose from a scanned photo. Get the right pose and the right proportions every time.
CLIP STUDIO PAINT PRO
for character art, concept art, illustration
Windows/macOS/iPad/iPhone/Galaxy/Android/Chromebook
Windows/macOS only
Monthly Usage Plans are not included in the sale
Windows/macOS/iPad/iPhone/Galaxy/Android/Chromebook
CLIP STUDIO PAINT EX
for manga & comics, animations
Windows/macOS/iPad/iPhone/Galaxy/Android/Chromebook
Windows/macOS only
Monthly Usage Plans are not included in the sale
Windows/macOS/iPad/iPhone/Galaxy/Android/Chromebook
“The brushes (even the basic ones) are the best I've ever used in a digital drawing app. My favorite is the Textured Pen, which I use a lot for inking since it leaves a slight "texture" in the stroke that makes the line softer.”
- Mirka Andolfo (Comic Artist)
The materials you need
Clip Studio ASSETS puts tens of thousands of brushes and materials at your fingertips. Or, make your own drawing tools with Clip Studio's deeply customizable brush engine and user interface. Create your own signature style, whether watercolor, oil, or anime-style coloring.
Color your world with ease
Color palettes for every situation, smart fill tools, an eyedropper that lets you grab colors from outside of the canvas. Clip Studio Paint is bursting with features to make coloring easy, fun, and fluid.
Fill without fear
Clip Studio Paint's sophisticated fill tool lets you color your canvas with confidence. Easily fill areas without leaving gaps, even where there are broken lines, and color while referencing line art on other layers. You can also create easy, eye-catching gradients with just a click.
Details made easy
Use decoration brushes to replicate complex patterns like shoelaces, necklace chains, and other accessories with a single stroke. Or, create city skylines, cobblestone, tiles, and entire backgrounds by simply dragging your brush until you're satisfied!
Instant backgrounds
Great characters need great backgrounds! Import your photos to Clip Studio Paint and turn real-world backdrops into line art with just a few clicks. Draw over imported 3D objects for quick and easy details and trinkets that add visual interest to your backgrounds!
Work more comfortably with a pen tablet
The Clip Studio Tabmate allows you to perform frequently used operations with a single touch, all without having to let go of your pen, allowing you a more comfortable drawing experience. (sold separately)
(Compatible with Windows, macOS, Galaxy, and Android devices)
By artists, for artists
“My best advice for artists who are just starting out and who are interested in growing a following online is to start now. The first step to become known is to put yourself out there!”
- Vicki Tsai (Illustrator)
A devoted community
Clip Studio ASK and Clip Studio TIPS are user community-driven resources that connect you to creators of all skill levels. Ask, answer, check out official content, or just hang out with fellow artists!
We're here to help!
Clip Studio Paint users have access to a dedicated support team to answer questions and help you with issues of any kind. Our support team is standing by!
Fun no matter which platform you use!
Use all the features of the PC version on your iPad, iPhone, Galaxy, Android, or Chromebook device, optimized for comfortable creation on smaller screens. Clip Studio Paint is pre-loaded on the latest Galaxy Andriod tablets, the Tab S7 and Tab S7+, available worldwide, making it the first choice for getting started with digital art.
The number of people starting to create digital works with Clip Studio Paint on all sorts of devices keeps growing. Get creative with the rest of the Clip Studio Paint community!
What Artists Are Saying About Clip Studio
Mirka Andolfo Comic Artist
The speed of execution is important to me, and I always have to maintain good quality even when there is no time. Clip Studio Paint is perfect for my purposes: intuitive and simple. The brushes (even the basic ones) are the best I've ever used in a digital drawing app. My favorite is the Textured Pen, which I use a lot for inking since it leaves a slight "texture" in the stroke that makes the line softer. I also often use the integrated "Decoration" tools and they are very useful to easily draw details when the deadlines are particularly difficult.
Sam Nassour Visual Development Artist
The process of creating complex artwork has been made much easier with the help of Clip Studio Paint's fantastic capabilities. I like how customizable the software is, all shortcuts and modifier keys can be set to different functions easily. And when I'm painting, I like the way colors blend together by using the Mix function in the brush customization menu. I also love using the inking brushes for my line work. They have a very natural feel and a high response to pressure sensitivity; going from thick to thin lines in one smooth stroke is quite easy, especially when using the Stabilization slider that allows you to slow down the brush stroke for more precision. I often keep the color wheel palette on top of the canvas so I can quickly choose the right colors. I also use other advanced color palette like the approximate color and intermediate color palette. Both really help choosing colors in different lighting situations.
Derrick Chew Concept Artist
Clip Studio Paint is a versatile digital painting program that is ideal for rendering and inking with its many useful and unique features. It is easy to learn and has many tools and custom brushes that allow you to paint and render any type of illustrations you want. It even include 3D models of characters, items and backgrounds that you could pose and angle to further help as a visual reference, super neat function! Its competitive price point also makes it more affordable and accessible to everyone.
redjuice Illustrator
Clip Studio Paint is one of the main tools I use for work. The Fill and Auto Select features are amazing for painting, and I also like that I can transform selections on multiple layers. Even when making something in Photoshop, I sometimes switch to Clip Studio Paint just for that feature.
Vicki Tsai Illustrator
I love Clip Studio Paint for its versatility, enormous bank of resources, and ease of use. When making art I'm most interested in minimizing the amount of time between an idea popping into my mind and sitting down to turn that idea into reality. Clip Studio Paint has a clean interface that allows me to immediately jump into the act of drawing and experiment with a variety of brushes and tools to bring my imagination to life.
Part 1: Making Grids
1) What is grid?
Grid is like a guide. Every section of the grid equals to general phone screen ratio, so it lets you estimate how many panels you want to put in one screen.
Then fill the whole canvas with any color. Then press Ctrl + A [Select all], Ctrl + C [Copy].
When you have copied it, create a new canvas for your strip. Strip is a long vertical canvas you can use to draw webtoon. Why a long vertical canvas? Because webtoon format is vertical and long canvas can let you see your flow better.
Next, paste your grid and scale it by pressing Ctrl + T [Transform] and drag the square while pressing shift or check [Keep aspect ratio] then drag the square.
Copy and paste the other grids until it fills all your canvas.
Your grid is ready to use!
Part 2: Paneling
To start sketching your storyboard, just simply create a new layer above your grid and draw on it.
Gaps in webtoon format is important to maintain the flow. Each grid is better consist of 1-2 panels. You might want to avoid having 3 panels in one grid. 4 or more panels are way too crowded to read, it will make your readers confused.
Part 3: Lineart
Before you start doing lineart, you might need to change your sketch color. Click on [layer color] and choose the color that suitable for you to trace later. Light color will make it easier to draw over it.
Before you start lining, there are things you need to know about Vector Layer and Raster Layer.
1. What are their differences?
Vector is made of mathematically formed paths and curves. It allows you to scale up your lines without making it compressed or pixelated. Raster is made of pixels which are combined into one and it will pixelate your line when you scale it up.
So now, to start lining create a new [Vector Layer] above your sketch. Choose the brush you like and start drawing your lineart over your sketch.
There are benefits of doing lineart using [Vector Layer]:
1. You can use [Vector Eraser]!
[Vector Eraser] is a tool that allows you to automatically erase some lines. There are 3 kinds of [Vector Eraser]: (1) Erase touched area, (2) Erase up to intersection, and (3) Whole line. See the differences below:
2. You can scale up and down without getting pixelated!
3. You can edit your line size!
Go to [Operation] and change the [Brush Size].
Or go to [Correct Line] then choose [Thicken] or [Narrow] depends on your need. Set the size and apply it to the line you want to edit.
Okay, enough with Vector and Raster. So after this, you can draw over your sketch.
Part 4: Base Color
Next is to fill each parts with colors. There are some alternative ways to do it:
1. Fill
Fill or bucket too is probably the most common way to do basing. All you need to do is choose the color and click the area you want to color. Note that there is some settings you need to set depending on your lineart style. In this case, we are using [Refer Other Layers] setting.
2. Close and Fill
This tool is quite fun to use! You just need to create and area outside the part that you want to color, and the color will detect your lineart on its own!
The setting is still the same as [Fill] setting, so you might want to set them when using this tool.
4. Transparent Color
This might not be a brush for coloring, but this can make any brush or tool into an eraser! Some might not notice it, so this is how you choose transparent color.
you can either click on the grey and white squares under the color squares or right click on the area outside your canvas. That will make any brush you are using becomes an eraser.
Part 5: Background
There are plenty of ways to do backgrounds. Using 3D object is probably the most efficient way. Clip Studio Paint provides you with some 3D models (you can also download it from [Asset]) or you can use other softwares like Sketchup or Blender. But, using 3D object inside your drawing might need a little adjustment, depending on your style. In this case, you can play with [Tonal Correction], there are a lot of adjustment you can make for your backgrounds.
Part 6: Shading and Lighting
For me, I just use one [Multiply] layer on each base colors, one [Glow Dodge] or [Add Glow] and one [Normal] layer above all layer.
For shading, I use [Watery] with my own setting and [Blend] tool. Sometimes I use [Airbrush] with soft [Hardness] and low [Opacity].
Part 7: Typeset
Typesetting in Clip Studio Paint pretty easy! You just need to type it using [Text] tool and drag or draw your speech bubbles. There are speech bubbles ready in [materials] or you can also download them from [assets].
You can also use [Border Effect] feature in some scene of your comic.
Last one after typeset is to SAVE YOUR FILE! (Never. forget. to. save!)
Remember to save it as both [Clip Studio Format] and JPEG!
Part 8: Slicing
You only need to upload your strips (in Croppy available formats only) and you will receive your slices files in RAR.
After that, you can upload and launch your webtoon!
If you still have anything to ask, feel free to reach me @kyorin24 (Instagram or Twitter)!
I hope this will help!
When creating manga manuscripts or submitting data to a print shop, there are several rules that should be followed.
Else, parts of the manuscript may be cut off, tones may be misprinted, or there may be too many or too few pages, resulting in the worst case scenario: missing your deadline.
The following is a guide that explains how to create a manuscript without any problems.
* This article is written based on the premise that you are producing a manga manuscript in Japan. If you are making manga manuscripts outside of Japan, it may differ from the contents of this article.
[1] Page layout of a manga
First, let’s start with the layout of a manga manuscript.
The pages of a manga manuscript will usually have pre-drawn lines. There are rules for each of these lines.
■ (1) Default border
This is the large square frame in the center of the page. This is also called the “inner frame” or “inner line”.
If dialog or pictures are drawn near the edge of the page, these may be cut off or may not be visible after the finishing process. The default border is there to prevent this.
Therefore, frame borders (panels) should be drawn based on the default border’s lines.
Also, by placing important dialog and pictures inside the default border, you can ensure that they will be printed and displayed in an easy-to-read area.
Of course, you may want to place some dialog and pictures over the default border for effect.
In this case, make sure that they are not too close to the later described “Cropped border”.
[POINT] Be careful of the bound side of the book when placing dialog overlapping the default border!
There might be dialog that is placed over the default border, as shown below.
In paper books such as fanzines, the readability of this dialog depends on whether this is done on the outer side or inner side (bound side) of the page.
While doing this on the outer side does not cause issues with readability, the dialog becomes somewhat difficult to read if this is done on the inner side (bound side).
This is the general term for the lines at the corners of the page. This serves as a guide when setting the finished size of the book.
[POINT] Do not ink over the crop marks
If these areas are covered with color, the crop marks may become invisible.
Some printing shops will not accept fanzine data or commercial manga data without visible crop marks.
■ (3) Cropped border
The border made from lines extending from the inside of the crop marks is called the “cropped border”.
As a principle, anything inside this border will be printed/displayed when finished (This will be the size of the finished book).
For example, if a manga is created on A4 paper, the finished size is usually B5.
When creating works such as fanzines or commercial manga, do not place important pictures or dialog close to the cropped border.
They may be cut off or disappear during finishing.
■ (4) Bleed width (bleed)
This area is important during finishing. There are various terms relating to this area.
The outside of the crop marks is called the “bleed border”.
The width of the area from the “cropped border” to the “bleed border” is called the “bleed width” (pictures inside this area are called “bleed information”).
Drawing as far as the “bleed border” instead of creating frames along the “default border” is called “full bleed”.
The upper side is called the top (天 or “ten” in Japanese) and the lower side is called the bottom (地 or “chi”).
When finishing, pages are trimmed along the cropped border.
However, in the case of paper works such as fanzines, the page’s actual trimmed position may differ by a few millimeters. Therefore, full bleed should be applied to avoid white space from occurring.
As a principle, full bleed is recommended even for e-books, where only the area up to the cropped border is displayed for all pages.
In the case of printed fanzines, bleed widths will differ based on the print shop of choice (generally 3mm-5mm). Check this information in advance on the website of the print shop you plan to use.
The center crop marks are the “+” shaped lines at the top, bottom, left and right of the page.
With fanzine and commercial manga manuscripts, these lines are required to indicate the center of the page for the printing shop staff. They can also be helpful during production of the manga, when you want to center a picture.
[2] Data Production
■ (1) Number of pages in a work or book
There are basic rules concerning the number of pages in a manga work. Pages are generally drawn in multiples of 8 or 4.
Similar rules also apply to the page composition of book data.
The reason for these restrictions is because multiple pages of a book are printed on both sides of a large sheet of paper.
The sheet is then cut to form the individual pages and then bound.
Pages therefore need to be created in multiples of 8 (if printed with 4 pages on each side of a sheet) or 4 (if printed with 2 pages on each side of a sheet).
As such, while it is easy to add two more sheets to an e-book that was initially supposed to have 20 pages, problems would arise with a paper book.
If your fanzine is too short, you can bring it up to the minimum number of pages by adding features such as a postscript, bonus pages or a contents page.
■ (2) Cover page and back cover page
The cover page, back cover page and the reverse of these two pages are referred to as Cover Pages 1-4.
・Cover page 1: Front cover
・Cover page 2: Back of front cover
・Cover page 3: Back of back cover
・Cover page 4: Back cover
For fanzines, it is custom to submit all of these as a single file, with cover pages 1 and 4 joined together.
Cover pages 2 and 3 are not usually printed, but some printing shops will provide this service for an additional fee, or as part of a plan fee.
If you want to print cover pages 2 and 3, check the website of the printing shop you want to use in advance.
The data for the cover pages is referred to collectively as the “cover page data”. Take care in cases such as when submitting the cover page data ahead of the rest of the data.
Also, be aware that in most cases, cover page 1 is counted as the first page and cover page 4 is counted as the last page.
This count includes cover pages 2 and 3 even if they are blank.
■ (3) Manuscript size
The following sizes are usually used.
Commercial manga: B4 pages (finished in A4)
Fanzines: A4 pages (finished in B5)
The size depends on the purpose or the publishing method, but care needs to be taken when publishing the same file with multiple methods.
For example, commercial manga data produced in B4 size can easily be converted to A4 size for a fanzine, as this is simply a matter of reducing the size.
However, enlarging data can cause issues such as pixelated lines.
If, for example, you are publishing a work as a “commercial manga & e-book”, the data should be produced in B4 size, but A4 size is adequate if you are publishing a “fanzine & e-book”.
Carefully consider how you will publish the work before deciding on the size.
The following resolutions are usually used.
Color manuscripts: 300/350 dpi
Monochrome manuscripts: 600 dpi
Using resolutions larger than the above is not recommended unless the finished print is large (such as posters), as the file will become very large.
■ (5) Color depth (Color mode)
The following color depths (color modes) are usually used.
Color manuscripts: CMYK color
Monochrome manuscripts (when printing books): Duotone
Color manuscripts: RGB color
Monochrome manuscripts: Duotone/grayscale
If you have not yet decided on a publishing format, it is recommended to use the settings for paper books, for the same reason mentioned in the section about manuscript sizes.
When creating a manga manuscript in CLIP STUDIO PAINT, make sure that the layer expression colors are correct for the manuscript settings.
[POINT] Differences between duotone and grayscale
Put simply, they are different in the following ways.
Monochrome duotone: pictures are expressed in either black or white. Gray areas are expressed by tones such as dot tones.
Grayscale: in addition to black and white, gray is used to express shades.
Black and white manga manuscripts are generally produced in duotone.
However, there is no definite rule when choosing a color mode. For example, the gradients of grayscale are more suited to e-books than tones as readers zoom in and out when reading, or your printing shop may have a printer that can cleanly print grayscale.
Please read the following section on moiré in addition to this section, and decide on the best setting for your manuscript.
Moiré appears when dot tones and other patterns are output in an unexpected manner.
Here are various causes of moiré and ways to avoid it.
<Understand the purpose of dot tones>
Most published manga are printed in two colors: black and white.
When the artist wishes to use shades of gray, tones such as dot tones are used in place of actual gray colors to create the illusion of grey.
When publishing an e-book or printing with a printer that can express gray well, there is no reason to use dots.
Understand that processes such as using dot tones with grayscale or using anti-aliasing for dot tones (an effect in which the dots themselves contain gray) are not the intended purpose of tones.
<Take care when overlaying tones>
If the tones are not overlaid correctly, this can create moiré that resembles stripes or patterns. Make sure to not overlay dot tones with different numbers of lines, angles or densities.
<Do not change the size of rasterized images >
Changing the size or resolution of manuscripts containing rasterized dot tones can result in a lack of uniformity in the dot size (irregularity of the shapes), causing moiré.
When using PAINT, moiré will not occur when non-rasterized tone layers are output. Due to this, we recommend that you do not rasterize tone layers.
<Do not use anti-aliasing or opacity settings for the tones>
Anti-aliasing is the process of using grey to smooth out the edges of black sections.
This means that if anti-aliasing is applied, gray is applied to the dots themselves.
This distorts the dots’ shape during printing and output, resulting in moiré.
Please note that the same outcome also occurs when applying opacity settings to the tones (changing the alpha value or fill value).
However, it is extremely difficult to avoid moiré in e-books, which will be scaled up and down by readers.
Therefore, when creating works that will only be published as e-books, there may be cases where filling with gray will yield better result than tones.
■ (7) Required pages, etc. when creating book data
In addition to the parts of a book you are likely familiar with, such as the preface, postscript or contents page, the following pages and settings are also required when producing book data. The required items vary depending on the publishing method.
The title page is the first page of the main text seen after opening the cover. It contains the title and other information.
The page numbers printed on the page.
The page number is generally counted from the cover page and displayed at the bottom of each page.
Whether folios are needed depends on the publishing method, but they are required by many printing shops when printing fanzines.
For e-books, meanwhile, there are cases in which folios must not be used.
This includes information on the work and its publication, usually at the end of the work.
Various information is included depending on the situation, including the title of the work, author name, publication date, printing and production company, contact details and website URL.
Whether a colophon is needed depends on the publishing method, but they are required by many printing shops when printing fanzines.
With specialized comic features and a paper-like drawing experience, Clip Studio Paint is used by professionals and studios worldwide. Sketch, ink, color, and publish your next story, all in the industry-standard comic, manga, and webtoon tool.
Capture every detail
You can create every stroke exactly as you imagine with our powerful brush engine. Clip Studio Paint works with your device to reflect every nuance of your pen, even up to the 8192 levels of pen pressure detected by Wacom tablets.
Packed with features for comic creation
All you need to create your comic, manga or webtoon, right at your fingertips. Explore specialized features including panel tools, speech balloons, effect lines, special rulers, and more, giving you the power to create everything from black and white comics for printing, to full-color webtoons to post online, all in a single app.
Perspective rulers for perfect backgrounds
A user favorite, make adding perspective and realistic depth to your backgrounds easy with our specialized ruler tools. Adjust the eye level and perspective as much as you need, and draw directly along the guidelines.
Customizable 3D figures with new AI posing
Place and pose 3D drawing figures directly on your canvas as a reference for your art. With customizable body shapes and camera angles, they’re perfect for those hard-to-find pose references. Don’t forget to test out our brand-new beta feature of mimicking poses from photos!
Support you can trust
Whether you're stuck on a new feature or need technical help, you can rely on our free customer support. We’re proud of our excellent customer satisfaction rate, and happy to be there when you need us.
Trusted by the world’s leading brands
As well as being bundled with the world’s bestselling pen tablets from Wacom, Clip Studio Paint comes pre-loaded on the latest Galaxy Android tablets, the Tab S7 and Tab S7+, available worldwide, making it the first choice for getting started with digital art.
Artist Testimonials
Jake Parker Comic Artist
I'll never draw another comic without using Clip Studio Paint. It makes drawing comics soooo much easier than before. I use it to layout my comics, and then take them to final pencils. After that I print out the pages and ink over them traditionally. I've also started using it to lay out and pencil my children's books. There’s also a mobile app for iPad that works great too.
Charlie Adlard Comic Artist
I’ve been using CSP for the last few years, and I love how intuitive it is. I can literally do everything I want to do on this single app. The brushes are a special standout - even without downloading extra ones, the existing ones really do feel like the real thing. As a self confessed old technophobe, it’s incredibly easy to learn. something I really need with my busy schedule.
© ÉDITIONS SOLEIL / ANGE / RENAULT / ADLARD / HARMON
Dylan Teague Comic Artist
I'm a big fan of Clip Studio Paint. I've been using it since Manga Studio 4 and now use it for pretty much 100% of my professional work. There are so many features that really help my work flow in comics. The story feature is a great way to keep organized on longer projects. The brushes are just amazing too and feel extremely life‑like. I also really like how you can customize everything to suit your own needs perfectly. The iPad version is brilliant too, making Clip Studio Paint totally portable so I can easily work on print-ready files anywhere.
Kenny Ruiz Comic Artist
I have been using Clip Studio Paint since 2015. After ten years of using a pen and marker for inking, I was convinced that I would keep using them. However, when I tried the brushes, the pressure sensitivity, and the process of tracing in Clip Studio Paint, I understood that it was the right moment to switch tools. Now I work much faster and try new things. The pressure and sensitivity of the preset brushes are perfect, and I can draw natural lines accurately which makes the drawing more organic and alive. I hate the precise and clean finished works of other software because I cannot see the artist behind it. I can express myself freely in Clip Studio Paint without any restrictions.
Page belonging to Infinity: Outrage. Edited by Corvus Belli, written by Victor Santos, illustrated by kenny Ruiz
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